Jared Leto finds himself in a challenging spot in the new sci-fi film “Tron: Ares.” Playing a malfunctioning computer program seeking to experience empathy, Leto’s performance falls short of establishing him as a serious actor. Despite his efforts, Leto’s filmography, including “Suicide Squad” and “Morbius,” fails to elevate his credibility.
Compared to the disastrous “Morbius,” “Tron: Ares” may not reach the same level of infamy, but early reviews suggest it could follow a similar path. Deemed one of the worst high-budget productions by some, the film faces significant backlash even before its release.
In “Tron: Ares,” the story picks up after its predecessor, “Tron: Legacy,” but with a notable absence of key characters from the previous installment. The narrative now revolves around Eve Kim, the CEO of Encom corporation, delving into AI research alongside her rival, Julian Dillinger of Dillinger Systems.
Both CEOs harness The Grid’s capabilities to create advanced technologies, including lethal weaponry. Central to their endeavors is Ares, a powerful program designed by Dillinger. The quest for the “Permanence Code,” a vital element from the first film, adds complexity to the storyline.
As the plot unfolds, Kim faces challenges in The Grid, while Ares undergoes a transformation, donning a heroic persona reminiscent of famous action figures. The film amalgamates elements from various sci-fi classics, resulting in a unique yet somewhat derivative narrative.
Despite some positive aspects like sleek cinematography and a Nine Inch Nails score, “Tron: Ares” fails to leave a lasting impression. Its reluctance to delve into pertinent themes like AI ethics and tech industry influence hinders its potential impact. While the film offers moments of excitement, its overall execution lacks depth and purpose.
In conclusion, “Tron: Ares” falls short of being a groundbreaking film, settling instead for a middling performance that struggles to resonate with audiences seeking a more profound cinematic experience.